I've just returned from two glorious weeks at the University of Iowa Writing Festival in Iowa City. It's always a little like drinking through a fire hose; as usual a great deal of useful information on writing was exchanged. I have a fun and useful tip to share.
We all know the first few pages are crucial to keep the agent or editor reading, so I signed up for the week-long course, "Beginning the Novel." The tone of the workshops tends to be literary rather than commercial, so our wonderful workshop professor, Gordon Mennenga of Coe College, apologized for coming dangerously close to being formulaic before sharing this. He'd gone into a bookstore, the classic Prairie Lights (Iowa City's Tattered Cover), and picked up all of the bestselling and otherwise successful novels of the past year or two. Each of them had all of the following on the first two pages (brace yourself!):
a sentence containing three commas
a one-word sentence
food (the universal ritual)
body fluid--sweat, blood, tears, urine
reference to sex or death
something sinful or painful
a physical feature
a personality trait
mention of nature
anything with a brand name
body part or parts
metaphor, each of which saves five pages of description
city, state or street
He had us go through our first two pages and check off how many of these we had included. Most of us had two or three; one of us had ten or so (way to go Alan!). As far as evoking sensations in the reader, we realized we were writing at about 1/10 power. You might enjoy going through your first two pages and seeing how many you instinctively included...and then add the rest! You can always take them out again if it feels too much, or too contrived, but it's a useful exercise in writing vividly with all the senses.